Showing posts with label fluid. Show all posts
Showing posts with label fluid. Show all posts

Wednesday, December 9, 2009

CONCEPTIONS PART II: BOUNDARIES

Upon re-reading my first conceptions post, I realized it sounded a bit dramatic, especially when the entire post was dealing with motos. But the thing is that, it is through these small every day moments that we realize that our conceptions of somethings are perhaps not totally absolute and thus we start to wonder about other things. So many things I have experienced here have made me think twice about my approach to life and the things I hold as truths, and so whether it is motos or boundaries the consequences are larger for me. And now BOUNDARIES.


Boundaries in Providencia are fluid.



Nature seems to rebel against fences. Overpowering them; mixing the private with the public.



Even when there is not a sense of rebellion, the boundaries between what is man-made and natural blend. They exist as part of a continuum.



Public and private property exist, but walking into a restaurant in the middle of the day to Skype because it is the only place in the island where we get a good signal is OK.



Admittedly since the place belongs to the pizza



it really shouldn't be much of a problem.

Still things belong to people I'm sure, but it seems as if they don't always care to portray that. I mean, I have come into Pizza's Place only to find a group of hens sitting at the table, I actually felt I was intruding on a gossip session amongst old ladies. I'm sure the hens have owners but it is ok for them to roam around, hanging out in Pizzerias, trees (yes who knew hens liked to hang out in trees) or next to empty soda crates.


Yes the boundaries of property are just so fluid... Meet my dogs, Rex and Roxy,



They of course are not actually mine. As a matter of fact they are not even stray. They have owners and live in a house, but every time I walk by their house I whistle for them and they come out and walk the rest of the way to Pizza's Place with me, hang out while I do my internet business and then walk me back. Their owners don't seem to mind even though they don't know me.

And still surprisingly enough it seems important to put a lock on a space that has so many other points of entry,



But perhaps the most noticeable fluidity exists within the boundaries of physical space. Indoor and outdoor can sometimes be confusing concepts here. This is our restaurant,



we eat here every day and when we are under that roof we are inside even though we are still stepping on sand. Did I mention that if you don't feel like going in and asking for the menu this might help,



But even the mangroves seem to challenge the necessity for roots to be underground



Merging the air and the ocean



And at another local bar, why bother having separate tables and menus. When so often a table



also makes such a good menu



This is a local eatery,



bar also, but you are welcome to bring your own alcohol and just hang out, as a matter of fact you might have to because they are likely to run out but the party is likely to continue. The restaurant/bar is really the kitchen of their house, but the kitchen of their house is really a dance floor, as Matt and I discovered last night. If you run out of room there, that is not a problem because the restaurant/bar extends into the public road to the other side where there are bamboo seats and a tent with a hammock.



It is a larger establishment than it seems at first sight.

Even the boundaries between garbage



and decoration are fluid.



Not to mention between food and decoration,



and eating utensils and tree ornaments.



But I guess it is all part of the fluidity between real and imagined.



Who needs a real window when they can simply paint one?



Even the cemetery seems to challenge boundaries by being the liveliest cemetery I have ever seen.



At sunset it even makes sense that the dead would want to come out and enjoy the light.



The street is for motos,



also for cows;



for children to run and play.


And of course, the shower is a parking spot.



And most of all with its clarity,



and waves the ocean blends one world with another.



And with your feet being pulled into the sea, simultaneously on land and water you realize nothing is absolute.

Monday, November 30, 2009

ON THE VERGE

Last year as we prepared for our senior art show it was suggested we seek professors who were not so familiar with our work and get varying perspectives on it. One of the professors who saw my work really loved my palette and asked me to describe it, “they're (my colors) a bit like earth tones kicked up a notch,” I suggested. “Yeah!” he said excitedly, “they are like earth tones on acid...” This remains perhaps my favorite description of my work and ever since then I've thought of my colors as such. Well, it seems my colors are on the verge of overdose.

It is hard for that not to be the case when you are in a place where color is so intense. Where you have never seen a blue that is more blue, or a green so varied and intense in the midday sun. And every house is a different color, intense as the sun, the ocean, the land. The tropic is alive and it seems it has infected me; and just like the spirit of my figure is seeping out into the atmosphere, it appears the tropical atmosphere has seeped back into my soul.

I had forgotten how much I love blue. I love it in its intensity that reminds us we came from water millennia ago and just so we come from an ocean recreated again in the womb. For the first time in a long time blue is in my work. And it seems so strange and simultaneously exciting. It is impossible to be surrounded by water, by the sea of 7 colors, and not succumb to it. This work as such is Fluid.

The following pictures are approximations to the piece. The best I could do under the circumstances and with the equipment available to me. The red tones are pretty close but the blue is not quite right. Still I hope you enjoy.




The tropic is alive. It is intoxicating. It is within. I am on the verge.